A Fantastic Woman – A Review
While it is difficult to ascertain whether, historically, transgenders enjoyed a unique place in Indian society, the common belief is that Kings used them as henchmen and were sought after by newly-wed couples for blessings. Whatever their role, it is a fact that with the entry of the British into India, life for the community took a turn for the worse. The British were uneasy with the idea of a third gender and accused the community of perpetuating crime. While newly independent India relaxed laws against transgender people, the media became guilty of stereotyping them. Mocked for their effeminate personalities, they were, and still are, portrayed as beggars and criminals.
Indeed, community stereotyping is a universal phenomenon. Although India has a long way to go before accepting transgenders for who they are, Chile is showing the way in furthering their cause. Director Sebastian Lelio’s ‘A Fantastic Woman’, a movie about a transgender female Marina (played by Daniela Vega) and her struggle against prejudice, is a step in that direction.
Working as a waitress and club singer in Santiago, Chile’s capital, Marina is in a relationship with an older cis man, Orlando (played by Francisco Reyes). Love is in the air as the couple celebrates Marina’s birthday over a candle-light dinner. As the two embrace and dance, the audience cannot help but soak in the romance. The two seem made for each other and are heading towards a happy future.
A tragic twist shatters Marina’s happiness when, on the night following the birthday, Orlando dies of an aneurysm. As the grieving Marina tries to come to terms with her loss, she faces the wrath of Orlando’s family. His ex-wife wants Orlando’s car back, his nasty son asks her to vacate the house, and the family forbids her from attending Orlando’s funeral. To make matters worse, the bruises on Orlando’s body make the police suspicious. Was Marina being paid by Orlando for sex work? Maybe the two had got into a fight that ultimately killed Orlando.
Despite the weight of her problems, Marina stays dignified and graceful. She battles her ghosts like a lonely but brave warrior, swimming against the tide of societal prejudice. The scene where she tries to walk straight, resisting the heavy wind blowing against her, accurately captures her courage, dignity, and stoicism in the face of adversity.
Director Sebastian Lelio portrays a never-seen-before aspect of transgender people, which is that of grace. He succeeds in demystifying the community and subverting its association with sordidness. In Marina, the audience discovers a caring, sensitive, and strong transwoman who defies stereotypes.
I would have liked Sebastian Lelio to explore some more dimensions of Marina’s life. What were her struggles as a child growing up in Chile? While there is a brief mention of her sister and brother-in-law, the movie is silent about her parents. Unfortunately, the movie is too linear in portraying Marina’s life. A multi-dimensional portrayal of a transgender woman that goes beyond platitudes or prejudices would have been ideal.
Despite its lack of depth, Director Sebastian Lelio’s ‘A Fantastic Woman’ has contributed immensely to the transgender community’s struggle for identity and place in society, becoming the first Chilean movie to win an Oscar. More importantly, the movie helped drive conversations on the transgender question, resulting in the fast-tracking of a gender-identity law allowing transgender individuals older than 14 years to legally change their name and gender, with no requirement for surgery or change in physical appearance. That this took place in a country as traditionally conservative as Chile is an achievement worth celebrating.



